A colleague has returned from a trip to Poland, bearing
gifts: soup mix, a refrigerator magnet, and photos, hundreds of photos. I
peruse the ones particularly of Białowieża
Puszcza, the considerable remains of the primeval forest that once covered
most of northern Europe. Białowieża,
(biały
“white” and wieża
“tower”) refers to a hunting lodge, legendarily built and apparently painted
white, by Władysław Jagiełło in the early 15th century, the first Polish king
(he was Lithuanian) of the Jagiełło dynasty. Puszcza means “forest primeval” and echoes pustka, pustelna, pustelnik, pustkowie, pustoszyć, pusty, pustynia, words for
“solitude,” “hermitage,” “hermit,” “desert/wilderness,” “devastate/lay waste,”
“empty/hollow,” and “waste.” These images appeal particularly, sublimely and
subliminally, to a Borowicz (bór “forest” and owicz “son of”). Poles are the people of the fields, of the pola or pol, but before the fields were the ancient oaks, five hundred
years old and more, the deep woods, the fens, the swamps, and their denizens.
Vestiges of those ancient beings reside still in these photos, though
concealed, “see, there!” and recall our origins, all of our origins, and our
youths.
Miłosz has a few lines in “Rivers
Grow Small” that conjure our change of perception of our past owing to aging,
but of the changelessness and universality of our initial perception.
The forest near the village of
Halina once was for me primeval,
smelling of the last but recently
killed bear,
though a ploughed field was visible
through the pines. (198)
We all lived in Eden once—and Poland still has one, an
original.