I don’t know whether any of these stones are in more or less the same place they were in 1241, or in 1079, when the foundation was laid. (Ten seventy effing nine.) The stones that are piled here in Romanesque fashion seem old enough, rough, rude, weathered, war-scarred, the repairs motley enough to imagine invaders killed under the walls and souls saved within. But only the stones remain bearing the stories as only stones can. Mutely, abandoned anchors of what happened. No, nothing is permanent, and yet, some things are more permanent than others. Hardness and quiet.
Sunday, March 3, 2013
Time and Stone
Saturday
night, on walkabout, we passed Kościół
Święta Andrzeja, the Church of St. Andrew, and Dr. Banaś pointed out the
projectile/gun ports in the wall at levels that would seem not the most
effective (behind the van). In those days, churches served as fortifications as well as holy
places, and Jan Długosz reported that St. Andrew’s “was the only church to
resist the Tartar invasion of 1241.” (78) Of course, time has built up the
surface surrounding the church, which explains the seeming misplacement of
these defensive vents, buries the church
in the dust of the every day, and so now one descends stone steps to
enter what was once at street-level—over nine hundred years ago.
I don’t know whether any of these stones are in more or less the same place they were in 1241, or in 1079, when the foundation was laid. (Ten seventy effing nine.) The stones that are piled here in Romanesque fashion seem old enough, rough, rude, weathered, war-scarred, the repairs motley enough to imagine invaders killed under the walls and souls saved within. But only the stones remain bearing the stories as only stones can. Mutely, abandoned anchors of what happened. No, nothing is permanent, and yet, some things are more permanent than others. Hardness and quiet.
I don’t know whether any of these stones are in more or less the same place they were in 1241, or in 1079, when the foundation was laid. (Ten seventy effing nine.) The stones that are piled here in Romanesque fashion seem old enough, rough, rude, weathered, war-scarred, the repairs motley enough to imagine invaders killed under the walls and souls saved within. But only the stones remain bearing the stories as only stones can. Mutely, abandoned anchors of what happened. No, nothing is permanent, and yet, some things are more permanent than others. Hardness and quiet.